Angela Galvan

Faces are never completed. People move their heads away, hide, fade in the dark, and show a calm desperation that corresponds to the void of the landscapes.

On the other hand, models are captured in an iper-realistic and precise way that makes it feel like they are real.

Painters have always felt the need to destroy their works, the power of creation corresponds with the impulse of destruction.

The other side of the ruined portrait is the “non-finito”, where the phases of the elaboration are shown. Only the models still hide themselves.